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40+ Legendary Classical Piano Songs By Difficulty (Sheet Music, Tutorials, History)

Charmaine Li  /  Articles  /  UPDATED Oct 19, 2023

Some classical piano songs (or, in classical speech, pieces) are among the most recognizable tunes in music history. This post tells the stories of some of the most famous pieces ever. There will also be links to sheet music and tips where available.

These 40+ pieces are composed in the style of the European classical tradition. But the composers are from all over the world and some pieces weren’t composed until the 21st century!

All pieces are listed in chronological order.


Notes:

  • Difficulty levels are only estimates. There is a wide range of difficulty in the “intermediate” and “advanced” categories and few people agree on how difficult a piece can be. You may want to try learning a few measures of several pieces before focusing on one that suits your current ability.
  • Many advanced pieces have beginner-friendly arrangements. There are links to these if available. So, if your favorite piece is too hard for you right now, search for an alternate arrangement. If the piece is famous, there likely is one!
  • You can find most classical sheet music online because copyrights have expired. The biggest online database of classical sheet music is the Petrucci Music Library/International Music Library Project (IMSLP). It’s a handy website!

Beginner Classical Piano Songs

Canon in D – Johann Pachelbel (Circa 1680)

Sheet Music and Tutorial: Here

We begin our list with a piece that wasn’t originally meant for the piano, but has nevertheless become a piano classic. This is Johann Pachelbel’s Canon in D, a popular hit at weddings. The chord progression used in the Canon has become infamous, appearing in pop songs from “Basketcase” by Green Day to “Memories” by Maroon 5.

Prelude in C Major – Johann Sebastian Bach (1722)

Sheet Music and Tips: Here

While the sheet music to J.S. Bach’s Prelude in C Major may look hard, it’s actually a pretty simple piece. And it’s that too—pretty! This gentle prelude is heavenly and a beautiful introduction to C Major chords, as it’s essentially repeating arpeggios of different chords in C Major.

Minuet in G Major – Christian Petzold (1725)

Sheet Music and Tips: Here

The Minuet in G Major is famously attributed to J.S. Bach, but it’s actually by Christian Petzold, another Baroque-era composer. It’s a popular piece among beginners, and while it has a childish feel, it’s possible to play it with charming maturity. The many ornamentations (turns, mordants, etc.) can be challenging. But once you master them, you’ll gain foundational skills for playing more complex Baroque pieces, where carefully articulated ornamentation is key.

Honorable Mention: If you’re bored of the Minuet in G Major (let’s face it, it’s overplayed), do check out the Minuet in G Minor. This piece is slightly more challenging but quite beautiful. You can download the sheet music and get some tips here.

Solfegietto in C Minor – C.P.E. Bach (1766)

Sheet Music and Tips: Here

This piece demonstrates a cool thing about classical piano: just because something sounds hard doesn’t mean it is! Upon first listen, the Solfegietto is a whirling, virtuosic mess of sixteenth notes. But it’s actually an accessible piece because your hands take turns, allowing you to focus on one hand at a time. A fun little piece, even metal guitarists have covered the Solfegietto. It was composed by Carl Philipp Emanuel Bach, one of Johann Sebastian’s (OG Bach’s) sons.

6 Piano Sonatinas, Op. 36 – Muzio Clementi (1797)

Sheet Music: IMSLP

These six piano sonatinas (“sonatina” = mini sonata) are a charming introduction to the Classical era. (“Classical era” in this context means the period between 1750 and 1825 where simplicity, elegance, and balance were in vogue). So, Clementi’s sonatinas are an excellent segué into, say, Mozart’s sonatas. These sonatinas are arranged by difficulty and they don’t sound like baby pieces at all. You may even recognize some of the melodies!

Prelude No. 4 in E Minor – Frédéric Chopin (1838-39)

Sheet Music: IMSLP

The somber Prelude No. 4 in E Minor is one of Chopin’s easiest and most famous works. It was also featured in the critically acclaimed film The Pianist. This is a great piece to get familiar with your E Minor diatonic chords in different inversion shapes. And while it’s slow, there are so many opportunities to inject real musicality—experiment with rubato and dynamics, and pour out your soul into the simple melody.

Honorable Mention: While a little less famous, the Waltz in A Minor is another Chopin piece popular with and accessible for beginners. It includes a sweeping arpeggio run in the middle that will surely impress. Get tips and sheet music here.

Gymnopédie No. 1 – Erik Satie (1888)

Sheet Music (Unabridged): IMSLP
Sheet Music (Simplified) and Tutorial: Here

Erik Satie was an eccentric fellow. (Check out his daily schedule, which includes eating only white foods and sleeping “very hard.” While the first Gymnopédie has a slow tempo, the chords in the unabridged version can entail some pretty large leaps. Bringing out the minimalistic character of the piece without boring your audience will also take practice. Nevertheless, this piece is a piano favorite and it is clever in its simplicity.

“River Flows in You” – Yiruma (2001)

Official Sheet Music: Hal Leonard
Tutorial: Here

“River Flows in You” was published in 2001. It exploded in popularity during the Covid-19 lockdowns when people stuck at home decided to learn piano. It’s a beautiful piece that sounds simple, but there are some larger gaps and leaps that can be tricky for beginners. So start slow! With three sharps, practice your A Major and F-Sharp Minor scales as warm-ups to help you get into the “zone.”

“One Summer’s Day” – Joe Hisaishi (2001)

Sheet Music: Hal Leonard

Since Spirited Away became the first foreign film to win the Academy Award for Best Animated Film, people the world over have been falling in love with the film scores of Joe Hisaishi. Ano natsu he (“One Summer’s Day”) is the main theme from Studio Ghibli’s award-winning film and it is goosebump-inducing. If you like beautiful melodies and childhood nostalgia, don’t miss out on this iconic track!

Honorable Mention: The Japanese entertainment industry has produced some of the most beautiful classical soundtracks. If you like Studio Ghibli songs, check out “To Zanarkand” by Nobuo Uematsu, a marvelous piece from the video game franchise FINAL FANTASY.

“Nuvole Bianche” – Ludovico Einaudi (2003)

Sheet Music: Hal Leonard
Tutorial: Here

Einaudi has become one of the top—perhaps the top—contemporary classical composers. If you come across a public piano, someone at some point will whip out some Einaudi to a delighted crowd. Einaudi’s music is lyrical and moving; but among the classical crowd, there is some debate over whether Einaudi counts as classical or pop. Not like it really matters, because the humble composer says he’s just happy people enjoy his music.

Honorable Mention: If you like “Nuvole Bianche,” check out some of Einaudi’s other works. Have a look at “I Giorni,” another crowd favorite.


Interlude: The Classical Method

Love classical music but not sure where to start? Head over to Classical Piano Quick Start, four free lessons designed for beginners taught by Victoria Theodore. Victoria is a classically trained pianist with degrees from Oberlin College and Stanford University, who traces her classical lineage to Claude Debussy. She has also shared the stage with stars like Beyoncé, Stevie Wonder, Prince, and more.

Ready to take the next step? Become a Pianote Member and access our full Classical Method. Here’s a 7-day trial.

CLASSICAL QUICK START

Intermediate Classical Piano Songs

Invention No. 1 in C Major – J.S. Bach (1723)

Sheet Music: IMSLP

If you want to progress to playing Bach’s legendary preludes and fugues, start with his shorter inventions. But don’t let the C Major key here fool you; this piece can be tricky! There is some fingering planning required and the articulations can tangle up the hands. Nevertheless, Bach’s inventions are useful workouts. You’ll know you’ve mastered Bach when every note is enunciated, clear, and even.

Honorable Mention: If you can’t get enough of Bach, another piece to try is the Allemande from his French Suite No. 5.

Sonata No. 16 in C Major, “Sonata Facile” – Wolfgang Amadeus Mozart (1788)

Sheet Music and Tips: Here

Mozart’s “Sonata Facile” (“simple sonata”) is iconic. This charming, lyrical classic perfectly sums up the musical values of the Classical period: elegance, balance, and homophony (a single melodic line with accompaniment). It’s also an accessible introduction to the sonata, a multi-movement structure you’ll see more and more as you progress in your piano journey.

Honorable Mention: A little more difficult is Mozart’s “Rondo alla turca” aka the “Turkish March.” This piece is also iconic, though the octaves can be tricky if you have small hands. On a fortepiano, this piece could have been played with a built-in bell.

Piano Sonata No. 14, “Moonlight” (1st Mvt.) – Ludwig van Beethoven (1802)

Sheet Music and Tips: Here

Did you know this sonata wasn’t originally titled “Moonlight”? That nickname was coined by another Ludwig, Ludwig Rellstab, a music critic who thought the sonata reminded him of the moonlight reflected on Lake Lucerne. The first movement is a moody piece that’s accessible to novices yet offers plenty of opportunity for expression. The third movement, however, is infamous for its difficulty.

Honorable Mention: The second movement of Beethoven’s Piano Sonata No. 8, “Pathétique” is slightly more difficult but around the same tempo, evoking a nolstagic and calming mood.

“Für Elise” – Ludwig van Beethoven (1810)

Sheet Music and Tutorial: Here

Ah, “Für Elise”! This is one of the most famous piano pieces, ever. It’s considered a rite of passage for all piano players, it’s beautiful, and it’s honestly not too difficult. While the story behind the piece is unclear, it may have been composed for an unrequited love or as a favor to a friend. If you’re keen on tackling “Für Elise,” make sure to check out our detailed tutorial. And don’t be fooled by the piece’s simplicity—you can actually bring a lot to it.

Honorable Mention: If “Für Elise” is too difficult for now, try Beethoven’s Ecossaises first.

“Ständchen” (Serenade) – Franz Schubert (1826) – arr. August Horn

Sheet Music: IMSLP

Majestic, moody, and romantic, the “Serenade” by Schubert was originally a lied (art song) for solo piano and vocals. A popular piano arrangement is the one by August Horn, but Liszt also wrote a more challenging version. Schubert is known for his intimate art songs inspired by poetry. Lieder of note include the Wintereisse song cycle and “Erlkönig,” perhaps Schubert’s most famous piece outside of “Ave Maria.”

“Venetian Boat Song” in G Minor Op. 19, No. 6 – Felix Mendelssohn (1829-30)

Sheet Music: IMSLP

Felix Mendelssohn really liked gondolas. In fact, he wrote five pieces about them. Among the most famous is the Venetian Boat Song in G Minor. The steady 6/8 meter feels like the steady strokes of the gondolier as they row you through the canals of Venice. To achieve smooth legato lines, pay attention to phrasing and imagine that you’re a gondolier singing as you row.

“Träumerei” – Robert Schumann (1838)

Sheet Music: IMSLP

Among the most nostalgically beautiful piano pieces is Schumann’s “Träumerei.” This piece, which translates to “dreaming,” comes from a solo piano collection called Kinderszenen or “childhood scenes.” So, yes, the nostalgia is very much intended! While this piece is only about a page long, it features some dense lines that can be enjoyably challenging. Make sure to hold those ties!

“Arietta” – Edvard Grieg (1866-67)

Sheet Music: IMSLP

This piece, “Träumerei,” and “The Entertainer” are perhaps the most challenging in the Intermediate category. Like “Träumerei,” “Arietta” features a simple, memorable melody that overlays a somewhat dense harmony. “Arietta” aka “Little Song” was one of Grieg’s favorite melodies and among the most popular of his Lyric Pieces collection. Again, try to bring out the melody.

“To a Wild Rose” – Edward MacDowell (1895)

Sheet Music: IMSLP

Edward MacDowell was an American pianist and composer who also pursued poetry, painting, and even architecture. When he was hired at Columbia University, he wanted to elevate the arts and music to the same level of importance as disciplines like science and philosophy. “To a Wild Rose” is from MacDowell’s Woodland Sketches collection, which was inspired by his New Hampshire cabin. Today, the property remains a colony for practicing artist fellows.

“The Entertainer” – Scott Joplin (1902)

Sheet Music: IMSLP (and here are some tips)

The Ice Cream Truck Song! Scott Joplin’s ragtime classic is loads of fun if you can handle large chords. If you have small hands, consider omitting a note or two, at least in the beginning. And note that many scores indicate “not fast” as the tempo. Joplin introduced listeners to ragtime, a genre that would lead to blues, jazz, and rock’n’roll. He also wrote an ambitious opera that was sadly never performed in his lifetime. If you like Joplin’s style, be sure to check out “The Cascades” and “Maple Leaf Rag.”


Interlude: On “Difficulty”

Rating pieces based on “difficulty” is hard. Just because a piece is fast, or has big leaps or lots of sharps and flats doesn’t mean it’s more difficult. On the other hand, slower and mellower pieces may seem easy but can be quite difficult to interpret. Classical music is all about details, nuance, and the techniques required to bring out the hidden beauty in each piece. As you advance in your musical journey, return to older, easier pieces on occasion and see if you can play them with more depth. Remember: music just isn’t about hitting the right notes at the right time. It’s so much more than that.


Advanced Pieces

Prelude and Fugue No. 2 in C Minor – J.S. Bach (1722)

Sheet Music: IMSLP

The Prelude and Fugue No. 2 is among the most famous prelude-and-fugue sets from Bach’s The Well-Tempered Clavier, a two-part volume of preludes and fugues in every key. It has been called the “Old Testament” of piano music, while Beethoven’s 32 piano sonatas are considered the “New Testament.” To fully appreciate Bach, spend some time understanding the intricate contrapuntal techniques he uses in this piece. Here’s a high-level overview and here’s a more detailed analysis.

Sonata in D Minor (K. 9) – Domenico Scarlatti (1738)

Sheet Music: IMSLP

Deceptively simple, Scarlatti’s K. 9 could fit in the intermediate category if you just want to play the right notes at the right time. But articulating the delicate phrasing and melody requires true skill. A cool bonus about this piece is that there are opportunities for improvisation (see how Tiffany Poon approaches improv in this performance). But the piece is delightfully charming on its own.

Goldberg Variations – J.S. Bach (1741)

Sheet Music: IMSLP

One of Bach’s (many) wonderful keyboard pieces, the Goldberg Variations are a suite of 30 variations based on a beautiful aria. The variations were written for Count Kaiserling, an insomniac, and a musician in his employ, Johann Goldberg. Goldberg’s job was to play music for the Count when= he couldn’t fall asleep. When Bach’s work successfully lulled the Count to sleep, legend has it Bach was paid with a goblet of Louis d’or. Be sure to check out Glenn Gould’s recordings—they’re generally regarded as the best.

“Moonlight” Sonata (3rd. Movement) – Ludwig van Beethoven (1802)

Sheet Music: IMSLP

While the first movement of the “Moonlight” Sonata is quite accessible, the same can’t be said about the third movement, the Presto agitato. It builds on a similar arpeggio-based idea, but this time, the arpeggios are a thunderous, lightning-fast flurry. While this piece looks extremely impressive, learning how to play all the notes isn’t that difficult. What’s difficult is playing the piece cleanly. PIanists should also pay attention to dynamics: it’s not all loud!

“Fantaisie-Impromptu” – Frédéric Chopin (1834-35)

Sheet Music: IMSLP

Common lore is that Chopin hated the “Fantaisie-Impromptu,” one of his most famous and dizzying pieces. The “Fantaisie” isn’t just fast; its polyrhythms are tricky: the left hand plays eighth note triplets while the right hand plays rapid sixteenth notes grouped in four. This “3 against 4” technique is something you’ll see a lot in Chopin’s work. This piece is sure to impress!

Honorable Mention: If you want to play some lightning-speed Chopin but aren’t ready for “Fantaisie-Impromptu” yet, try the “Minute” Waltz. Chopin’s Waltz in D-Flat Major is too fast to waltz to, but is another impressive and well-known piece that will make your fingers fly.

“Liebestraum” (Nocturne No. 3) – Franz Liszt (1850)

Sheet Music: IMLSP

Perhaps Liszt’s most romantic piece, “liebestraum” means “love dream” and is a fantastic introduction to Liszt, the world’s first rock star. While relatively slow and ballad-like, don’t be fooled! The piece’s climactic middle is explosive. “Liebestraum” was inspired by a poem by Ferdinand Freiligrath. In turn, it inspired Elvis Presley’s song “Today, Tomorrow and Forever” in the film Viva Las Vegas.

Pictures at an Exhibition (Suite) – Modest Mussorgsky (1874)

Sheet Music: IMSLP

Mussorgsky’s a ten-piece suite for solo piano was inspired by his friend, the artist Viktor Hartmann. When Hartmann died of a sudden aneurysm, an exhibit of his works was held in his honor. Later that year, Mussorgsky composed Pictures at an Exhibition inspired by the exhibit. The suite depicts ten paintings by Hartmann, with promenades between that evoke walking through a gallery. One of Steinway’s most expensive and iconic grand pianos is inspired by this suite.

“The Lark” – Mikhail Glinka (1840)/Mily Balakirev (1890)

Sheet Music: IMSLP

Balakirev’s piano arrangement of Glinka’s masterpiece is a must-play that perfectly captures the flight of a lark. A humble eight-note melody is introduced, somewhat blandly, before a flutter of trills and rolling chords rush across the keyboard. The melody is then layered on top of busy chords before climaxing at a dizzying, arpeggiated run that evokes a flock of birds.

“Clair de lune” – Claude Debussy (1890-1905)

Sheet Music (Unabridged): IMSLP
Sheet Music (Simplified) and Tutorial: Here

“Clair de lune” is a universal favorite among pianists. And it’s not that difficult once you get used to the D-Flat Major key signature and a few large chords. Helpfully, we have instructions from Debussy himself on how to tackle his greatest hit: the opening triplets should not be too strict, don’t exaggerate the climactic middle section, and start pedaling before you start playing so that the music is blurry from the get-go.

Honorable Mention: If you love Debussy’s style but aren’t quite ready for “Clair de lune” yet, try “La fille aux cheveux de lin” (“The Girl With the Flaxen Hair”). It’s a shorter piece with lots of flats too, and it sounds almost like a mini “Clair de lune.”

“Le tombeau de Couperin” – Maurice Ravel (1914-17)

Sheet Music: IMSLP

Each of the six movements in “Le tombeau de Couperin” was dedicated to a friend of Ravel associated with World War I. Despite being a memorial work, “Le tombeau” is unusually cheerful in its tone, which was Ravel’s intention. “Le Tombeau contains no laments or funeral-march rhythms,” he said, “and that its joyful character evokes the love of life felt by all these men who died so young.” Later, Ravel arranged four of the movements for orchestra.


Interlude: Difficult ≠ Beautiful

A key thing to remember as you progress through your piano journey is that challenging pieces aren’t necessarily the most pleasant-sounding. As you’ll see in the next section, many of history’s most difficult piano pieces were composed in the 20th century, when avant-garde and experimental music was the rage. This music can sound dissonant and unpleasant to newcomers because for many composers, writing music that “sounds nice” was not the point. So, follow your heart and your taste! Play what sounds good to YOU.

And if you’ve made it this far, consider subscribing to our blog 🙂


Expert Pieces

Piano Sonata No. 29, “Hammerklavier” – Ludwig van Beethoven (1817-18)

Sheet Music: IMSLP

With a name like “Hammerklavier,” you know this sonata means business. “Hammerklavier” celebrates new innovations of its namesake (the hammered piano). Beethoven had just received word from his preferred piano maker John Broadwood that a new piano was on the way, one with an expanded range. Dedicated to Archduke Rudolph of Austria, this grandiose behemoth is majestic from the opening first movement fanfare to the fourth movement fugue.

Hungarian Rhapsody No. 2 – Franz Liszt (1847)

Sheet Music: IMSLP

Perhaps the most accessible of our “expert” pieces, Liszt’s most famous Hungarian rhapsody is another universal favorite. From its appearance on Tom and Jerry to impromptu street piano talent shows, it has attracted fans and dazzled audiences. The Lassan section is quite short and slower in tempo; more dramatic than braggy. But the Friska section is where the pianist’s technique truly shines: huge leaps, rapid repeating notes, and big chords combine with a memorable theme to create a performance meant to entertain.

“La Campanella” – Niccolò Paganini (1826)/Franz Liszt (1851)

Sheet Music: IMSLP

No “most difficult” piano pieces list is complete without the infamous “La Campanella.” Based on a concerto by violin virtuoso Niccolò Paganini, “La Campanella” (or “The Little Bell”) features big leaps in the right hand with the pinky imitating the ring of a small bell. Unlike the roaring Hungarian Rhapsody, “La Campanella” is delicate and playful. Paganini was, like Liszt, a superstar in his time who was said to have sold his soul to the devil in exchange for his talent.

Piano Sonata No. 5 – Aleksandr Scriabin (1907)

Sheet Music: IMSLP

A harsh mess of trills and rolled chords open Scriabin’s notorious Sonata No. 5, another piece feared for its complexity. Scriabin was an eccentric artist; somewhat of an egomaniac, he once proclaimed himself a god. He called this piece “a big poem for the piano” and included a literary epigraph with the piece: I call you to life, hidden strivings! / You, drowned in the dark depths / Of the creative spirit, you, timid / Embryos of life, to you I bring audacity.

Gaspard de la nuit – Maurice Ravel (1908)

Sheet Music: IMSLP

Ravel’s epic piano masterpiece is a must-listen, if not a must-play. Comprised of three movements, the piece is based on a poem by Aloysius Bertrand that conjures up images of demons, devils, death, and general ghastliness. While Gaspard is contemporary with avant-garde and experimental music, it’s not terribly abstract like Scriabin’s Sonata No. 5. Its melodies are easy to follow, memorable, and it would fit in as a modern film score.

Honorable Mention: If you’re a Debussy fan, Ravel is a worthwhile contemporary of his to explore. Fans of “impressionistic” music should check out “Jeux d’eau,” another dreamy, virtuosic, and wonderfully composed Ravel hit.

Piano Concerto No. 3 – Sergei Rachmaninoff (1909)

Sheet Music: IMSLP

While solo piano pieces are the focus of this listicle, no “hardest piano songs” list would be complete without the infamous Rach 3. Rachmaninoff debuted the No. 3 himself after practicing it on a silent keyboard during a cross-Atlantic voyage from Russia to the United States. You can still buy recordings of Rachmaninoff playing this concerto! In 2022, 18-year-old Van Cliburn Competition winner Yunchan Lim racked up eight million views on a performance that captured even non-classical fans.

Honorable Mention: Another remarkable Rachmaninoff concerto is his No. 2, written nine years before No. 3.

“Flight of the Bumblebee” – Nikolai Rimsky-Korsakov (1899-1900)/Sergei Rachmaninoff (1923)

Sheet Music: IMSLP

This was originally a small interlude between scenes in Rimsky-Korsakov’s opera The Tale of Tsar Sultan. In this part of the story, a swan shows the main character how to turn into a bee and fly home to visit his father. “Flight of the Bumblebee” perfectly captures the frenetic buzzing of a bee, and it’s been arranged and performed by numerous musicians across many instruments. The most famous piano arrangement is by Rachmaninoff, but those who dare try “Flight of the Bumblebee” in octaves can try Georges Cziffra’s arrangement.

“Opus clavicembalisticum” – Kaikhosru Shapurji Sorabji (1929-30)

Sheet Music: Sorabji Archive

Sorabji’s “Opus clavicembalisticum” lives up to its long name with its monolithic length; this twelve-movement work takes up to four-and-a-half hours to play and leads the pianist through cadenzas, fugues, passacaglias, and more. Sorabji was a curious individual who from a young age collected the scores of the most innovative composers of his time like Mahler, Scriabin, and Schönberg. He would grow up into an ambitious (and prolific) composer in his own right, challenging the limits of composition.

Étude No. 13, “The Devil’s Staircase” – György Ligeti (1988-94)

Sheet Music: Hal Leonard – Études pour piano Vol. 2

Famous for having a whopping eight fortes, Ligeti’s thirteenth étude was inspired by Escher’s staircase and the technique required will tie your fingers into knots. With few bar lines, a 12/8 meter, and no specific key signature, the “Staircase” is also a headache to sight-read. Ligeti gets credit for being helpful, at least, as the score contains many detailed playing notes.

“Rush E” – Andrew Wrangell of SheetMusicBoss (2018)

Sheet Music: SheetMusicBoss Website

It’s a meme, a viral video, and it’s…a very catchy song! “Rush E” is the 21st-century (software-aided) answer to the question, “what is the hardest piano piece ever?” Created by YouTube channel SheetMusicBoss, this piece was designed to be impossible to play by humans. And as you can see in the video, you’d need several hands to make some parts of the piece work. Still, talented pianists like 15-year-old Cole Lam have performed playable versions of this song and numerous arrangements and variations have occurred.


We hope you enjoyed this list of legendary classical piano songs and hope you found a new piece to work towards.

To get started on your piano journey, consider becoming a Pianote Member. Get coached by real teachers, access our Method and song library, and connect with a supportive community of piano enthusiasts just like you!

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Charmaine Li is a Vancouver writer who has played piano for over 20 years. She holds an Associate diploma (ARCT) from the Royal Conservatory of Music and loves writing about the ways in which music—and music learning—affects the human experience. Charmaine manages The Note. Learn more about Charmaine here.

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