{"id":1449,"date":"2020-06-16T06:35:19","date_gmt":"2020-06-16T13:35:19","guid":{"rendered":"https:\/\/www.pianote.com\/blog\/?p=1449"},"modified":"2023-01-13T08:58:40","modified_gmt":"2023-01-13T16:58:40","slug":"play-beautiful-background-music-at-church","status":"publish","type":"post","link":"https:\/\/www.pianote.com\/blog\/play-beautiful-background-music-at-church\/","title":{"rendered":"Play Beautiful Background Music At Church"},"content":{"rendered":"\n

Calling all church pianists! (Or wannabe church pianists.) A HUGE part of a church pianist’s role is to provide appropriate background music during different parts of the service.<\/p>\n\n\n\n

I first learned how to play chords and songs while playing the piano in a church youth band.<\/p>\n\n\n\n

Over the years, the skills I learned in that setting have served me well in so many other settings. So it’s worth learning, even if you don’t play in church and have no intention to.<\/p>\n\n\n\n

Church piano is different because when you play background music in church you have to be REALLY aware of the setting and the mood. You are NOT the star, and you don\u2019t want to be a distraction.<\/p>\n\n\n\n

So here are 3 ways to play background music at church.<\/p>\n\n\n\n

Use The Most Recent Song<\/strong><\/h2>\n\n\n\n

This is the easiest and most common way to fill space. The most common times you\u2019ll be required to play background music will be after a set of music and someone comes to do some speaking or prayer.<\/p>\n\n\n\n

The simplest thing to do is to keep playing the chords of the most recent song that was sung. That way the transition is seamless and the mood that was building during that song can continue through the speaking or prayer time.<\/p>\n\n\n\n

But a word of caution!<\/b><\/h3>\n\n\n\n

Remember to be quiet and sensitive to the situation. Play the chords, but don\u2019t play the melody. Playing the melody might be a distraction and you want people to be focused on what\u2019s going on at the time, not trying to remember the words of the song they just sang \ud83d\ude42<\/p>\n\n\n\n

I find it\u2019s best to keep things simple. You can play the chords as a whole, or even as broken chords. You can play them in the same octave range as the song, or you could take them up an octave higher to create a light-sounding and airy feel.<\/p>\n\n\n\n

If you do this, remember to play even softer. Our ears are better at picking up those higher notes, so they \u201csound\u201d louder even if they\u2019re not.<\/p>\n\n\n\n

This is my top tip for playing background music in church. But it’s not the only option you have…<\/p>\n\n\n\n

Use the \u201cPop Chords\u201d <\/strong><\/h2>\n\n\n\n

What I mean by this is the 4 chords that are so commonly found in popular music (both Christian and non-Christian). They\u2019re the 1-5-6-4 chords<\/a> and you can use them to create beautiful, tasteful and intricate compositions.<\/p>\n\n\n\n

That\u2019s because these 4 chords ALWAYS sound nice when they are played together. It doesn\u2019t even matter what order you put them in. They could be 1-5-6-4 or 6-4-1-5 or 6-1-5-4. The choice is yours.<\/p>\n\n\n\n

By the way, if all those numbers are freaking you out, read our lesson on The Number System<\/a>. It\u2019s pretty awesome and might just change the way you think about the piano!<\/p>\n\n\n\n

The most important thing is choosing the correct key signature to play these chords in. If you can stay in the key of the most recent song (see tip #1) that is best because it creates a beautifully smooth transition.<\/p>\n\n\n\n

I find it helps to practice these progressions in a variety of keys. The most common key signature I seem to find in modern worship music is D major. G major, C major, and F major are also quite common!<\/p>\n\n\n\n

Sus Chords<\/strong><\/h2>\n\n\n\n

These are not suspicious-looking chords (get it?). But they are my favorite.<\/p>\n\n\n\n

\u201cSus\u201d is short for \u201csuspended\u201d and the term comes from the traditional form where one of the notes of the chord was \u201csuspended\u201d or carried over from the previous chord.<\/p>\n\n\n\n

These days, it just means we replace the 3rd of the chord with either the 2nd (to create a sus2) or the 4th (to create a sus4).<\/p>\n\n\n\n

Here\u2019s an example in the key of D major using a D major chord.<\/p>\n\n\n\n

To create a Dsus4 we replace the 3rd note of the D scale (the F#) with the 4th note (the G) so it looks like this:<\/p>\n\n\n\n

\"Dsus4<\/figure>\n\n\n\n

And for a Dsus2 we\u2019d replace that 3rd note (F#) with the 2nd note of the D scale (E). So the chord would be D-E-A.<\/p>\n\n\n\n

These chords are my favorite way to play background music at church because they can go on forever. You can alternate between the sus2 and sus4 and even play different notes (from the 1-5-6-4 progression) in your left hand.<\/p>\n\n\n\n

It\u2019s an effective and tasteful way to play background music<\/a> that you can end at any moment.<\/p>\n\n\n\n

Remember It’s “Background” Piano<\/strong><\/h2>\n\n\n\n

It helps to have a few of these tips up your sleeve because some moments in church will be spontaneous, and it\u2019s always good to be prepared.<\/p>\n\n\n\n

But other times might be planned, especially if there\u2019s a planned prayer time after a set of songs or an altar call moment at the end of the service.<\/p>\n\n\n\n

For these planned times, it\u2019s helpful to talk to the worship pastor or lead pastor about what they would like you to play during those moments. And if you know beforehand, practice!<\/p>\n\n\n\n

It\u2019s the best way to make sure that your background music is appropriate and adds to the moment. Because the right music at the right time can do amazing things.<\/p>\n\n\n\n

Happy practicing!<\/p>\n\n\n\n

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