{"id":154,"date":"2019-03-22T10:38:00","date_gmt":"2019-03-22T17:38:00","guid":{"rendered":""},"modified":"2023-01-16T13:12:40","modified_gmt":"2023-01-16T21:12:40","slug":"understanding-chord-inversions","status":"publish","type":"post","link":"https:\/\/www.pianote.com\/blog\/understanding-chord-inversions\/","title":{"rendered":"Understanding Chord Inversions"},"content":{"rendered":"\n<p><span style=\"font-weight: 400;\">Have you ever played a series of notes and wondered <em>what on earth is that chord?<\/em><\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">Or maybe you&#8217;re already&nbsp;familiar with&nbsp;chords and inversions, but you&nbsp;aren&#8217;t clear on how to identify which inversion you&#8217;re playing.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">If I&nbsp;can be completely honest with you&#8230;I&nbsp;studied piano for around 10 years before I really grasped these concepts! So I&#8217;m excited to save you some time and trouble by sharing my tips and tricks for identifying chords and inversions.<\/span><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<span class=\"blue-text-block\">\ud83c\udfb9 <b><i>THE COMPLETE GUIDE TO INVERSIONS:<\/i><\/b> To understand inversions on a deeper level, take a look at our new article, <a href=\"https:\/\/www.pianote.com\/blog\/piano-chord-inversions\/\" target=\"_blank\" rel=\"noopener\"><i>The Ultimate Guide to Chord Inversions<\/i><\/a>. It includes <b>free<\/b> charts and diagrams for EVERY single major and minor chord and inversion.<\/span>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>Create a triad<\/strong><\/h2>\n\n\n\n<p><span style=\"font-weight: 400;\">Let&#8217;s begin with the basics of creating a triad. To create a triad or chord in root position, all you have to do is stack your notes in thirds. The C major triad has C-E-G. When you show this using notation, it looks a little bit like a snowman! <\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">Memorize this root position shape. It&#8217;s called root position because the bottom note is the root note, and it&#8217;s in the lowest position. That root note is the note name of the chord and tells you which chord you are playing. If you played G-B-D, you\u2019d be playing a G chord. If you play F-A-C, you&#8217;re playing an F chord.<\/span><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>Create the inversion<\/strong><\/h2>\n\n\n\n<p><span style=\"font-weight: 400;\">So what happens if we change the order in which we play those notes? When we play&nbsp;the chord&#8217;s notes in an order that isn\u2019t root position, we call it an inversion. When we play E-G-C, the shape changes. The root note has moved. It&#8217;s now in the top spot of the chord. We call this 1st inversion.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">If we shuffle the notes again, we get G-C-E. The root note is now in the 2nd spot down from the top. We call this second inversion. <\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">One more shuffle and we end up right back where we started in root position.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">That&#8217;s how inversions work. In the lesson, I show you some great tricks for quickly identifying the root note of a chord, as well as walk you through the process of identifying inversions step by step.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">Enjoy!<\/span><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe class=\"email-form-include-full\" src=\"https:\/\/www.pianote.com\/weekly-email\" frameborder=\"none\"><\/iframe>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Chord inversions 101. Everything you need to know to play better.<\/p>\n","protected":false},"author":39,"featured_media":774,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[507,510],"tags":[1088],"class_list":["post-154","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chord-theory","category-theory","tag-ch"],"_links":{"self":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/comments?post=154"}],"version-history":[{"count":3,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/154\/revisions"}],"predecessor-version":[{"id":10518,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/154\/revisions\/10518"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media\/774"}],"wp:attachment":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media?parent=154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/categories?post=154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/tags?post=154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}