{"id":1606,"date":"2020-07-17T06:35:00","date_gmt":"2020-07-17T13:35:00","guid":{"rendered":"https:\/\/www.pianote.com\/blog\/?p=1606"},"modified":"2023-01-13T15:22:09","modified_gmt":"2023-01-13T23:22:09","slug":"arpeggio-practice","status":"publish","type":"post","link":"https:\/\/www.pianote.com\/blog\/arpeggio-practice\/","title":{"rendered":"Arpeggio Practice &#8211; The FUN Way!"},"content":{"rendered":"\n<p>Arpeggios are one of those musical things that separates piano players.<\/p>\n\n\n\n<p>Knowing how to play arpeggios (and use them in songs) makes you a step above. It sounds much more <a href=\"\/blog\/amazing-arpeggios\" target=\"_blank\" rel=\"noopener noreferrer\">complicated, musical, and impressive<\/a>.<\/p>\n\n\n\n<p>It doesn\u2019t take a genius to know that to get better at arpeggios it helps to practice them (it\u2019s true!).<\/p>\n\n\n\n<p>But the problem is that arpeggio practice can often be \u2026 boring. Especially if all you\u2019re doing is playing them up and down, up and down, over and over.<\/p>\n\n\n\n<p>That\u2019s not musical. That doesn\u2019t sound that impressive.<\/p>\n\n\n\n<p>Yes, you need to practice your arpeggios. But this lesson will show you HOW to practice arpeggios in a way that\u2019s super musical, applicable, and fun.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>The Arpeggio<\/strong><\/h2>\n\n\n\n<p>What makes this practice unique and creative is that we\u2019re only going to be playing one arpeggio in the right hand.<\/p>\n\n\n\n<p>This exercise is in the key of D minor (or F major if you prefer to think that way). Our right hand is ONLY going to play an F major arpeggio.<\/p>\n\n\n\n<p>It will look like this:<\/p>\n\n\n\n<p><video src=\"https:\/\/media.giphy.com\/media\/iFPkVEjspFdXwA9Cfp\/giphy.mp4\" autoplay=\"autoplay\" loop=\"loop\" muted=\"\" width=\"100%\" height=\"150\"><\/video><\/p>\n\n\n\n<p>And that\u2019s it. Super simple to start with.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>Now it\u2019s time to make it musical&#8230;<\/strong><\/h2>\n\n\n\n<p>The left-hand is where the magic is going to happen.<\/p>\n\n\n\n<p>While you\u2019re playing that F major arpeggio in your right hand, play the each of the following notes in order with your left:<\/p>\n\n\n\n<center><b>D &#8211; Bb &#8211; F &#8211; C<\/b><\/center>\n\n\n\n<p>Hold each note for the value of TWO arpeggios. So you\u2019ll play that F major arpeggio up and down TWICE before changing notes with your left hand.<\/p>\n\n\n\n<p>Beautiful right?<\/p>\n\n\n\n<p>What we\u2019re doing here is mixing the major sounds (the F major arpeggio) with the relative minor sounds (D minor is the relative minor of F major).<\/p>\n\n\n\n<p>But we\u2019re not done yet.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>Two-Handed Arpeggio Practice<\/strong><\/h2>\n\n\n\n<p>Things are about to get a bit more complicated, but the result will be spectacular.<\/p>\n\n\n\n<p>Keep playing that F major arpeggio with your right hand. But, instead of playing single notes with our left hand, we\u2019ll play arpeggios starting on those notes.<\/p>\n\n\n\n<p>So we\u2019ll be playing arpeggios with BOTH hands, but only the left-hand will be changing positions.<\/p>\n\n\n\n<p>The first thing to do is figure out what notes we\u2019ll be playing.<\/p>\n\n\n\n<p>The 1st arpeggio is D minor. So we\u2019ll use the notes D-F-A-D:<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2020\/Fun%20Way%20To%20Practice%20Arpeggios\/d-minor-arpeggio.png\" alt=\"D minor arpeggio practice\"\/><\/figure>\n\n\n\n<p>After that, we\u2019ll move down to the Bb. The notes are Bb-D-F-Bb:<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2020\/Fun%20Way%20To%20Practice%20Arpeggios\/b-flat-major-arpeggio.png\" alt=\"Bb major arpeggio practice\"\/><\/figure>\n\n\n\n<p>Then we\u2019ll move down to the F major arpeggio. You should know this one by now!<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2020\/Fun%20Way%20To%20Practice%20Arpeggios\/f-major-arpeggio.png\" alt=\"F major arpeggio practice\"\/><\/figure>\n\n\n\n<p>And finally a C major arpeggio. The notes are C-E-G-C:<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2020\/Fun%20Way%20To%20Practice%20Arpeggios\/c-major-arpeggio.png\" alt=\"C major arpeggio practice\"\/><\/figure>\n\n\n\n<p>This might take a bit of time. Go slow and just start with your left hand if you need to.<\/p>\n\n\n\n<p>As far as fingering goes, you can choose to play these left-hand arpeggios with your 5-3-2-1 fingers (which is what I do) or you can use 5-4-2-1. Some people prefer one over the other. It\u2019s up to you.<\/p>\n\n\n\n<p>When you\u2019re ready, try playing these arpeggios hands together. Keep playing that F major in your right hand and play those 4 arpeggio patterns in your left.<\/p>\n\n\n\n<p>It will look like this:<\/p>\n\n\n\n<p><video src=\"https:\/\/media.giphy.com\/media\/LOip6ffJGUxmmWiLwr\/giphy.mp4\" autoplay=\"autoplay\" loop=\"loop\" muted=\"\" width=\"100%\" height=\"150\"><\/video><\/p>\n\n\n\n<p>It sounds AMAZING!<\/p>\n\n\n\n<p>And it\u2019s doing so much to help you improve your arpeggio skills! Technique practice made fun \ud83d\ude42<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>If you want to take things to the next level&#8230;<\/strong><\/h2>\n\n\n\n<p>If you\u2019re ready for it (and up for a challenge) you can try moving this out to two-octave arpeggios!<\/p>\n\n\n\n<p>So your right-hand will play a double-octave F major arpeggio while your left-hand plays a slower, single-octave arpeggio (still moving around the keys).<\/p>\n\n\n\n<p>It looks like this:<\/p>\n\n\n\n<p><video src=\"https:\/\/media.giphy.com\/media\/XcwGpvWvDxVN3UYoht\/giphy.mp4\" autoplay=\"autoplay\" loop=\"loop\" muted=\"\" width=\"100%\" height=\"150\"><\/video><\/p>\n\n\n\n<p>This technique will require a <a href=\"\/blog\/master-the-thumb-tuck\" target=\"_blank\" rel=\"noopener noreferrer\">thumb-tuck<\/a>. It\u2019s a fantastic tool to help you play the piano faster and this is a wonderful way to practice it.<\/p>\n\n\n\n<p>Take it slow, make sure you\u2019re practicing it correctly.<\/p>\n\n\n\n<p>Remember, if you\u2019re playing so fast that you\u2019re making mistakes, then all you\u2019re doing is practicing those mistakes.<\/p>\n\n\n\n<p>And we don\u2019t want that.<\/p>\n\n\n\n<p>Have some fun. Take it slow, and enjoy this beautiful arpeggio practice!<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<span class=\"blue-text-block\"><center><h2 style=\"font-size:22px\"><b>\ud83c\udfb9 Your Go-To Place for All Things Piano<\/b><\/h2><p>Subscribe to <i>The Note<\/i> for exclusive interviews, fascinating articles, and inspiring lessons delivered straight to your inbox. Unsubscribe at any time.<\/p><iframe class=\"email-form-include\" src=\"https:\/\/www.pianote.com\/weeklyemail\" frameborder=\"none\"><\/iframe><\/center><\/span>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Arpeggio practice can be boring. Try these exercises to see the fun way to practice arpeggios. <\/p>\n","protected":false},"author":39,"featured_media":1615,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1113,507,1108,1112],"tags":[109],"class_list":["post-1606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arpeggios","category-chord-theory","category-musicianship","category-practice-musicianship","tag-lisa-witt"],"_links":{"self":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/1606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/comments?post=1606"}],"version-history":[{"count":5,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/1606\/revisions"}],"predecessor-version":[{"id":10971,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/1606\/revisions\/10971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media\/1615"}],"wp:attachment":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media?parent=1606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/categories?post=1606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/tags?post=1606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}