{"id":18279,"date":"2025-06-09T09:25:37","date_gmt":"2025-06-09T16:25:37","guid":{"rendered":"https:\/\/www.pianote.com\/blog\/?p=18279"},"modified":"2025-06-09T11:42:59","modified_gmt":"2025-06-09T18:42:59","slug":"gear-breakdown-glasys-hears-apt","status":"publish","type":"post","link":"https:\/\/www.pianote.com\/blog\/gear-breakdown-glasys-hears-apt\/","title":{"rendered":"Gear Breakdown: GLASYS Hears APT (Bruno Mars and Ros\u00e9) For The First Time\u00a0"},"content":{"rendered":"\n<p>What happens when you hand a synth wizard a soulful performance from Bruno Mars and Ros\u00e9? You get musical alchemy.<\/p>\n\n\n\n<p>In this special Pianote episode, <strong>GLASYS<\/strong> (aka Gil Assayas) hears APT\u2019s reimagining of \u201cBest Part\u201d for the first time\u2014and as expected, he dives in with wide-eyed wonder and sharp musical instincts. But what gear did he have on hand to process, play, and explore the track\u2019s emotional depth?<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/phlFEwEti4U?si=qOx-RHw6tiXhyVyV\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\n\n\n<p>Let\u2019s get to the Gear Breakdown of the Keys GLASYS used.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">\ud83c\udfb9 <strong>Nord Stage 4<\/strong><\/h2>\n\n\n\n<p>It\u2019s no surprise to see the <a href=\"https:\/\/sweetwater.sjv.io\/Z641JX\" target=\"_blank\" rel=\"noreferrer noopener\">Nord Stage 4<\/a> (<a href=\"https:\/\/www.thomann.de\/intl\/clavia_nord_stage_4_88.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noreferrer noopener\">Europe<\/a>) front and center on GLASYS\u2019 rig. Known for its seamless performance design, rich piano samples, and powerful synth and organ engines, the Nord is a stage staple for a reason. Whether it&#8217;s punchy Rhodes, lush pads, or pristine acoustic piano, it\u2019s all available at your fingertips\u2014no menu diving required.<\/p>\n\n\n\n<p>During this reaction session, GLASYS leaned into the Nord for spontaneous voicings and harmonies, pairing its vivid piano tone with his natural touch and deep musical instincts. Its interface invites quick layering, filter sweeps, and instant creativity\u2014exactly what\u2019s needed when you\u2019re exploring a song live and unscripted.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">\ud83c\udf9b\ufe0f <strong>Dave Smith Instruments Prophet-6<\/strong><\/h2>\n\n\n\n<p>GLASYS also had the legendary <a href=\"https:\/\/sweetwater.sjv.io\/BnAJey\" target=\"_blank\" rel=\"noreferrer noopener\">Dave Smith Sequential Prophet-6<\/a> within reach. A modern reimagining of the classic Prophet-5, this analog synth is all about lush textures, fat bass, and warm, evolving tones. Even though it didn\u2019t steal the spotlight in this particular video, its presence speaks volumes.<\/p>\n\n\n\n<p>It\u2019s the kind of instrument that adds emotional depth with just a few tweaks. For artists like GLASYS, who blend traditional theory with exploratory synthesis, the Prophet-6 is a perfect companion\u2014ready to bring depth and dimension to any soundscape.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">\ud83e\udde0 <strong>Expressive E Osmose (Unused)<\/strong><\/h2>\n\n\n\n<p>Sitting quietly in the background was one of the most futuristic instruments on the market: the <a href=\"https:\/\/sweetwater.sjv.io\/nXb3jA\" target=\"_blank\" rel=\"noreferrer noopener\">Expressive E Osmose<\/a> (<a href=\"https:\/\/www.thomann.de\/intl\/expressive_e_osmose.htm?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noreferrer noopener\">Europe<\/a>). Though GLASYS didn\u2019t use it in this video, its inclusion on the rig hints at his ongoing exploration of expressive, next-gen controllers.<\/p>\n\n\n\n<p>The Osmose features deep polyphonic aftertouch and MPE capabilities, allowing for pitch bends, vibrato, and dynamic shaping per note\u2014all through intuitive finger movements. It&#8217;s not just a keyboard\u2014it\u2019s a sound sculpting machine. Keep your eyes peeled for future GLASYS sessions where this keyboard might take center stage.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">The Verdict<\/h2>\n\n\n\n<p>GLASYS brought his signature spontaneity and musical insight to this reaction\u2014but it wouldn\u2019t hit the same without the right tools. With the expressive muscle of the Nord Stage 4, the analog warmth of the Prophet-6, and the silent promise of the Osmose, his rig was equal parts ready and refined.<\/p>\n\n\n\n<p>Want to level up your own keyboard journey? These instruments are a great place to start. And if GLASYS\u2019 chops inspired you, there\u2019s no better time to jump into <a href=\"https:\/\/www.pianote.com\" target=\"_blank\" rel=\"noreferrer noopener\">Pianote<\/a> and try it free for 7 days. Who knows? You might just find your own signature sound.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote-blog.s3.us-east-2.amazonaws.com\/wp-content\/uploads\/2025\/06\/09092516\/2025-02-27-Pianote-Glasys-Day-1-141-1024x683.jpg\" alt=\"\" class=\"wp-image-18287\" srcset=\"https:\/\/pianote-blog.s3.us-east-2.amazonaws.com\/wp-content\/uploads\/2025\/06\/09092516\/2025-02-27-Pianote-Glasys-Day-1-141-1024x683.jpg 1024w, https:\/\/pianote-blog.s3.us-east-2.amazonaws.com\/wp-content\/uploads\/2025\/06\/09092516\/2025-02-27-Pianote-Glasys-Day-1-141-300x200.jpg 300w, https:\/\/pianote-blog.s3.us-east-2.amazonaws.com\/wp-content\/uploads\/2025\/06\/09092516\/2025-02-27-Pianote-Glasys-Day-1-141-768x512.jpg 768w, https:\/\/pianote-blog.s3.us-east-2.amazonaws.com\/wp-content\/uploads\/2025\/06\/09092516\/2025-02-27-Pianote-Glasys-Day-1-141-1536x1024.jpg 1536w, https:\/\/pianote-blog.s3.us-east-2.amazonaws.com\/wp-content\/uploads\/2025\/06\/09092516\/2025-02-27-Pianote-Glasys-Day-1-141-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>You can find everything mentioned in this Gear Breakdown at <a href=\"https:\/\/sweetwater.sjv.io\/RGajYN\" target=\"_blank\" rel=\"noreferrer noopener\">Sweetwater<\/a> or <a href=\"https:\/\/www.thomannmusic.com\/?offid=1&amp;affid=882\" target=\"_blank\" rel=\"noreferrer noopener\">Thomann<\/a> if you are overseas. If this video lit a spark to start learning the piano (or sharpen your skills), take the next step and click the link to try <a href=\"https:\/\/www.pianote.com\/trial?utm_source=blog&amp;utm_medium=&amp;utm_term=pianote&amp;utm_campaign=glasysAPT\" target=\"_blank\" rel=\"noreferrer noopener\">Pianote, free for 7 Days.<\/a><\/p>\n\n\n\n<p><em>*This article contains affiliate links, which means we might earn a small commission from the product seller if you make a purchase. For more info, check out our<\/em><a href=\"https:\/\/www.drumeo.com\/privacy#affiliate-disclosure\"><em> privacy page.<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What happens when you hand a synth wizard a soulful performance from Bruno Mars and Ros\u00e9? You get musical alchemy. In this special Pianote episode, GLASYS (aka Gil Assayas) hears APT\u2019s reimagining of \u201cBest Part\u201d for the first time\u2014and as expected, he dives in with wide-eyed wonder and sharp musical instincts. But what gear did [&hellip;]<\/p>\n","protected":false},"author":57,"featured_media":18285,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1108],"tags":[1150,1152,1143,1151,1149,1153],"class_list":["post-18279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicianship","tag-apt","tag-bruno-mars","tag-gear-breakdown","tag-glasys","tag-hears-a-song","tag-rose"],"_links":{"self":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/18279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/comments?post=18279"}],"version-history":[{"count":5,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/18279\/revisions"}],"predecessor-version":[{"id":18289,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/18279\/revisions\/18289"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media\/18285"}],"wp:attachment":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media?parent=18279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/categories?post=18279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/tags?post=18279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}