{"id":265,"date":"2020-02-25T06:45:00","date_gmt":"2020-02-25T11:45:00","guid":{"rendered":""},"modified":"2023-01-10T15:24:19","modified_gmt":"2023-01-10T23:24:19","slug":"major-vs-minor-piano-chords","status":"publish","type":"post","link":"https:\/\/www.pianote.com\/blog\/major-vs-minor-piano-chords\/","title":{"rendered":"Major vs. Minor Piano Chords &#8211; What&#8217;s the Difference?"},"content":{"rendered":"\n<p>Chords are the backbone of songs, but they can be confusing.<\/p>\n\n\n\n<p>What&#8217;s the difference between major and minor chords? How do you know which one to use?<\/p>\n\n\n\n<p>This lesson will show you how to form a major and minor chord on ANY key on the piano, and how to train your ear so that you can hear the difference and be able to identify the chords.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>Building Chords<\/strong><\/h2>\n\n\n\n<p>In order to learn the difference between major and minor chords, we&#8217;ll need to look at how they are built. The easiest way I find to build chords is to start with the outer shell &#8212; the root and the 5th.<\/p>\n\n\n\n<p>The root is the note that the chord is built from. For example, a C chord is built from a C note. A B chord is built from a B note. The 5th is the note that is 5 scale tones up from the root note.<\/p>\n\n\n\n<p>To find the 5th, count up 7 half steps. You can do this on any key.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2020\/The%20Chord%20Formula\/4-half-steps-1.png\" alt=\"\"\/><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<span class=\"blue-text-block\"><img decoding=\"async\" style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Featured%20Box%20images\/Lisa%20Chord%20Hacks.jpg\"><center><h3 style=\"font-size:24px;\"><b>\ud83c\udfb9 Hack Into Chords \ud83d\udc4a<\/b><\/h3><\/center><p>Understanding how chords work will give you a BIG leg up in learning how to play the piano. Knowing just a handful of chords will unlock hundreds, if not thousands of pop songs. To get started today, check out our <b>free<\/b> <a href=\"https:\/\/www.pianote.com\/chord-hacks\" target=\"_blank\" rel=\"noopener\">Chord Hacks<\/a> course, or read <a href=\"https:\/\/www.pianote.com\/blog\/how-to-play-piano-chords\/\" target=\"_blank\" rel=\"noopener\">How to Play Piano Chords<\/a>.<\/p><p><\/p><center><a class=\"join\" href=\"https:\/\/www.pianote.com\/chord-hacks\" target=\"_blank\" rel=\"noreferrer noopener\">CHECK IT OUT<\/a><\/center><p><\/p><\/span>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>Major vs. Minor<\/strong><\/h2>\n\n\n\n<p>Now you have the outer shell it&#8217;s time to add the middle note. This is the note that will determine whether the chord is major or minor. The outer shell will always be the same.<\/p>\n\n\n\n<p>To make a major chord you add a major third. This means adding the third note of the major scale. You can find that by counting up 4 half steps from the root note.<\/p>\n\n\n\n<p>In C major, it looks like this:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2020\/Major%20vs.%20Minor\/C-major-big.png\" alt=\"\"\/><\/figure>\n<\/div>\n\n\n<p>To make a minor chord you add a minor third. You can do this by counting up 3 half steps from the root note. So now the C major chord has become a C minor chord, and it looks like this:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2020\/Major%20vs.%20Minor\/C-minor-big.png\" alt=\"\"\/><\/figure>\n<\/div>\n\n\n<p>Try playing both of those. Hear the difference?<\/p>\n\n\n\n<p>For a more complete lesson on the chord formula, <a href=\"\/blog\/chord-formula\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>Training Your Ear<\/strong><\/h2>\n\n\n\n<p>Now you know how to build a chord, try playing major AND minor chords all over the piano. Pick a note, play a major chord and then play a minor chord immediately after.<\/p>\n\n\n\n<p>It&#8217;s VERY obvious that they are different and it will help you get used to the sound.&nbsp;<\/p>\n\n\n\n<p>This is important to do because it can often be difficult to hear the differences when the chords are used in a song or progression. By playing both major and minor versions you&#8217;ll get better at hearing the differences and identifying chords.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:28px\"><strong>But&#8230;that can get boring<\/strong><\/h2>\n\n\n\n<p>Let&#8217;s face it &#8212; playing major and minor chords around the piano is going to get real boring real quick.&nbsp;<\/p>\n\n\n\n<p>So, instead of playing the chords together try playing them as broken chords. That just means playing the individual notes one at a time. You&#8217;ll find it&#8217;s much more musical and creative.<\/p>\n\n\n\n<p>You might even come up with some fantastic improvisation!<\/p>\n\n\n\n<p>Knowing the basics of major and minor chords will give you a fantastic foundation to build from, and opens the door to exploring more <a href=\"\/blog\/complicated-chords\" target=\"_blank\" rel=\"noopener noreferrer\">complex and complicated<\/a> chords.<\/p>\n\n\n\n<p>Have fun!<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe class=\"email-form-include-full\" src=\"https:\/\/www.pianote.com\/weekly-email\" frameborder=\"none\"><\/iframe>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>What do they mean? How do you play them? What&#8217;s the difference?<\/p>\n","protected":false},"author":39,"featured_media":1070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[507],"tags":[1091],"class_list":["post-265","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chord-theory","tag-7dsr"],"_links":{"self":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/comments?post=265"}],"version-history":[{"count":5,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/265\/revisions"}],"predecessor-version":[{"id":10572,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/265\/revisions\/10572"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media\/1070"}],"wp:attachment":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media?parent=265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/categories?post=265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/tags?post=265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}