{"id":40,"date":"2017-06-15T08:48:00","date_gmt":"2017-06-15T12:48:00","guid":{"rendered":""},"modified":"2023-01-10T09:10:48","modified_gmt":"2023-01-10T17:10:48","slug":"chordhacks-4-putting-it-together","status":"publish","type":"post","link":"https:\/\/www.pianote.com\/blog\/chordhacks-4-putting-it-together\/","title":{"rendered":"Chord Hacks #4:  Putting It Together"},"content":{"rendered":"\n<p>Have you ever wanted to put both hands on the piano and just play without worrying about missing notes or screwing up? &nbsp;Then this lesson is for you. &nbsp;<\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">Now that you\u2019ve learned about chord inversions and left hand patterns, it\u2019s time to put both hands together. &nbsp;You\u2019re gonna be moving between chords and their inversions in the right hand, while the left uses some of the magic accompaniment patterns. &nbsp;<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Lisa Pose_file_1496175211.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p><span style=\"font-weight: 400;\"><\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">In your last chord hack lesson, you learned a few ways to make your left hand move within the chords. &nbsp;You learned how to use root notes to give the chords some depth, and you learned how to play octaves to give the chords and even <\/span><em><span style=\"font-weight: 400;\">deeper, richer <\/span><\/em><span style=\"font-weight: 400;\">sound. &nbsp;You learned about the importance of the 5th interval for creating a subtle, open framework that will let the right hand chords and melodies really shine, and you learned about using arpeggio patterns to create some rhythmic movement.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">So with all of these different rhythmic variations, you\u2019re probably gonna want to work in your right hand as well, including those sweet chord inversions! &nbsp;One of the most difficult barriers that a lot of students struggle with is understanding where the root is when you\u2019ve made chord inversions. &nbsp;That\u2019s why it\u2019s important to follow the name or number in the chord, especially when you\u2019re just starting out. &nbsp;Remember, the chords used in this song are the I, V, vi, IV. &nbsp;Start out with the I chord in root position, then move to the V chord in 1st inversion before moving that chord shape up one white key to the right and making the vi chord in 1st inversion. &nbsp;Your final chord movement of the progression will be the IV chord, but in 2nd inversion. &nbsp;When changing from chord to chord using these inversion, you\u2019ll notice that it\u2019s really easy to hear <\/span><em><span style=\"font-weight: 400;\">exactly <\/span><\/em><span style=\"font-weight: 400;\">what chord you\u2019re playing when you play the root notes in the left hand. &nbsp;<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">So go ahead and create your own left handed patterns using these examples. &nbsp;Don\u2019t be afraid to experiment, and keep your ears open! &nbsp;You never know what you can come up with until you try!<\/span><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe class=\"email-form-include-full\" src=\"https:\/\/www.pianote.com\/weekly-email\" frameborder=\"none\"><\/iframe>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Have you ever wanted to put both hands on the piano and just play without worrying about missing notes or screwing up? &nbsp;Then this lesson is for you. &nbsp; Now that you\u2019ve learned about chord inversions and left hand patterns, it\u2019s time to put both hands together. &nbsp;You\u2019re gonna be moving between chords and their [&hellip;]<\/p>\n","protected":false},"author":39,"featured_media":660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[507],"tags":[1069],"class_list":["post-40","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chord-theory","tag-gsotp"],"_links":{"self":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/40","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/comments?post=40"}],"version-history":[{"count":3,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/40\/revisions"}],"predecessor-version":[{"id":10478,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/40\/revisions\/10478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media\/660"}],"wp:attachment":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/categories?post=40"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/tags?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}