{"id":45,"date":"2017-07-14T09:01:00","date_gmt":"2017-07-14T16:01:00","guid":{"rendered":""},"modified":"2023-01-16T11:32:59","modified_gmt":"2023-01-16T19:32:59","slug":"music-theory-rhythm","status":"publish","type":"post","link":"https:\/\/www.pianote.com\/blog\/music-theory-rhythm\/","title":{"rendered":"Music Theory For The Dropouts #1 &#8211; Rhythm"},"content":{"rendered":"\n<p>Rhythm is one of those elements that a lot of musicians take for granted. &nbsp;You might get caught up in thinking about all the notes, sharps\/flats and other stuff and forget about how crappy it would all sound without rhythmic variation to make things interesting. &nbsp;Luckily with some dedication and focus, rhythms are pretty easy to understand. &nbsp;So let\u2019s look at a few simple rhythmic values that you\u2019ll find in some of the songs you want to learn.<\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">The first thing we\u2019ll talk about are <\/span><em><span style=\"font-weight: 400;\">time signatures.<\/span><\/em><span style=\"font-weight: 400;\"> &nbsp;A time signature is a number that is displayed at the beginning of a piece that defines how many beats are in a measure and which type of note gets one beat. &nbsp;<\/span><span style=\"font-weight: 400;\">The most common time signatures are 4\/4 and \u00be. &nbsp;The first\/top number tells you how many beats are in a measure, and the bottom number shows you the note value with the measure. &nbsp;<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Untitled_file_1500477588.png\" alt=\"\"\/><\/figure>\n\n\n\n<p><span style=\"font-weight: 400;\"><\/span><span style=\"font-weight: 400;\">The most important rhythmic note to learn first is the\u00a0<\/span><em><span style=\"font-weight: 400;\">quarter note<\/span><\/em><span style=\"font-weight: 400;\">. \u00a0If you\u2019re counting in 4\/4 time, there\u2019s going to be 4 quarter notes per measure. \u00a0The next rhythm note to look at is the\u00a0<\/span><em><span style=\"font-weight: 400;\">half note.<\/span><\/em><span style=\"font-weight: 400;\">\u00a0\u00a0Naturally, the half note is held for two beats, or one\u00a0<\/span><em><span style=\"font-weight: 400;\">half\u00a0<\/span><\/em><span style=\"font-weight: 400;\">of a measure. \u00a0You should also learn about the\u00a0<\/span><em><span style=\"font-weight: 400;\">whole note,\u00a0<\/span><\/em><span style=\"font-weight: 400;\">which is held for the whole measure. \u00a0So if you\u2019re in 4\/4 time, you simply let that note ring out for the duration of the bar. \u00a0<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Untitled_file_1500477828.png\" alt=\"\"\/><\/figure>\n\n\n\n<p><span style=\"font-weight: 400;\"><\/span><span style=\"font-weight: 400;\">Another important element of rhythm is\u00a0<em>dotted\u00a0<\/em>rhythms. \u00a0Sometimes you\u2019ll see a dot at the end of your note. \u00a0A dotted note contains that note\u2019s rhythmic value\u00a0<em>plus\u00a0<\/em>half of that note\u2019s rhythmic value. \u00a0So for example, a half note (regularly held for 2 counts) with a dot on it will be held for 3 counts instead.\u00a0<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">There are also corresponding <\/span><em><span style=\"font-weight: 400;\">rests <\/span><\/em><span style=\"font-weight: 400;\">for each rhythmic value. &nbsp;You can think of a rest as the opposite of a note: instead of making a sound, you leave a designated beat silent.<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Untitled_file_1500477957.png\" alt=\"\"\/><\/figure>\n\n\n\n<p><span style=\"font-weight: 400;\"><\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">The other note that you need to learn is the fastest of the rhythm notes so far, the 8th note. &nbsp;The 8th note is twice as fast as the quarter note, which means that you can fit 8 of these notes within one bar of 4\/4 time. &nbsp;The easiest way to count out 8th notes is to subdivide your count of 4, by putting an \u2018and\u2019 in between each beat of 4. &nbsp;So rather than simply counting out a single bar as \u20181-2-3-4\u2019, count out \u20181-and-2-and-3-and-4-and\u2019 to give yourself a greater sense of timing, with an 8th note landing on both the main numbered counts of the bar as well as the \u2018ands\u2019 in between. &nbsp;<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Untitled_file_1500478057.png\" alt=\"\"\/><\/figure>\n\n\n\n<p><span style=\"font-weight: 400;\"><\/span><span style=\"font-weight: 400;\">Be sure to keep an eye out for these rhythmic notes in notation, so you can get a greater sense of how they work together with each other! \u00a0<\/span><\/p>\n\n\n\n<p><strong>Ready for your next lesson? You can learn all about the Grand Staff in <a href=\"\/blog\/piano-music-theory-grand-staff\" target=\"_blank\" rel=\"noopener noreferrer\">Lesson 2 of our series!<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe class=\"email-form-include-full\" src=\"https:\/\/www.pianote.com\/weekly-email\" frameborder=\"none\"><\/iframe>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rhythm is one of those elements that a lot of musicians take for granted. Let\u2019s look at a few simple rhythmic values.<\/p>\n","protected":false},"author":47,"featured_media":667,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[528,510],"tags":[1091],"class_list":["post-45","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rhythm-theory","category-theory","tag-7dsr"],"_links":{"self":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":6,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"predecessor-version":[{"id":11042,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/45\/revisions\/11042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media\/667"}],"wp:attachment":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}