Before you start, print out some free resources:<\/p>\n\n\n\n
- \n
- Circle of Fifths<\/a><\/li>\n\n\n\n
- Scales: D Major & B Minor<\/a><\/li>\n\n\n\n
- Triads and Inversions: D Major & B Minor<\/a><\/li>\n\n\n\n
- Arpeggios: D Major & B Minor<\/a><\/li>\n<\/ul>\n\n\n\n
<\/div>\n\n\n\n![](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Featured%20Box%20images\/destupefy%20left%20hand.jpg\")
\ud83c\udfb9 De-Stupefy Your Left Hand \u2b05\ufe0f<\/b><\/h3>
For many people, our left hands are weaker. And while the right hand typically carries the melody on the piano, piano wouldn’t be the same without the left hand providing beautiful arpeggios and accompaniment patterns. Your left hand deserves more love, so check out the De-stupefy Your Left Hand course to give it the attention it needs! Free with your Pianote membership.<\/p>
<\/p>CHECK IT OUT<\/a>
<\/p><\/span><\/center>\n\n\n\n
<\/div>\n\n\n\n1. Circle of Fifths<\/strong><\/h2>\n\n\n\n
The Circle of Fifths strikes fear in many music students, but we’re not going to ask you to memorize it! All we need you to do is print it out<\/a> and place it on your music stand. And we’ll refer to the Circle of Fifths as a tool to help us practice.<\/p>\n\n\n
\n![\"Circle](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Piano%20Technique%20Made%20Easy\/circle%20of%20fifths.png\")
<\/figure>\n<\/div>\n\n\nThink of it like this: the Circle of Fifths is just a cheat sheet to help you remember what notes are in what key. <\/p>\n\n\n\n
Say you want to play a scale in A Major. Here’s how you’d use the Circle of Fifths:<\/p>\n\n\n\n
- \n
- Find A on the circle. <\/strong>Keys are ordered clockwise by ascending number of sharps and counter-clockwise by ascending number of flats, but don’t worry too much about the “order” of keys for now.<\/li>\n\n\n\n
- See how many sharps A Major has.<\/strong> It has F#, C#, and G#.<\/li>\n\n\n\n
- This means that every F, C, and G will be sharped when you play in A Major. <\/strong>Since the A Major scale goes from A to A, play every note in between and remember to sharp your Fs, Cs, and Gs.<\/li>\n<\/ol>\n\n\n\n
The A Major scale will look like this:<\/p>\n\n\n\n
A – B – C# – D – E – F# – G#<\/strong><\/p>\n\n\n\n
2. Scales<\/strong><\/h2>\n\n\n\n
So, use your Circle of Fifths to practice your scales.<\/p>\n\n\n\n
Let’s take D Major as an example. Find it on the Circle of Fifths, and you’ll see that D Major has two sharps, F and C. So, play the notes between an octave of Ds and remember to sharp F and C.<\/p>\n\n\n\n
D – E – F# – G – A – B – C#<\/strong><\/p>\n\n\n\n
There are numerous ways to practice scales, such as:<\/p>\n\n\n\n
- \n
- Hands together<\/li>\n\n\n\n
- Hands apart\u2014if, say, you want to really develop that left hand!<\/li>\n\n\n\n
- One octave, two octaves<\/li>\n\n\n\n
- Contrary motion<\/a><\/li>\n<\/ol>\n\n\n\n
![\"D](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Piano%20Technique%20Made%20Easy\/Dmaj%20and%20Bm%20scales.png\")
<\/figure>\n\n\n\nNo matter what you decide to practice on any particular day, here are some tips to get more bang out of your scale practice buck:<\/p>\n\n\n\n
- \n
- Be intentional.<\/strong> Don’t practice on autopilot. Pay attention to what your hands are doing.<\/li>\n\n\n\n
- Use practice patterns. <\/strong>Ways to practice intentionally include: accenting certain notes, playing loud or soft, playing legato, playing staccato etc.<\/li>\n<\/ol>\n\n\n\n
3. Triad Inversions<\/strong><\/h2>\n\n\n\n
I found triads and inversions intimidating at first! There seems to be soooo many shapes and notes to memorize. <\/p>\n\n\n\n
But once you understand the inversions formula, things get easier.<\/p>\n\n\n\n
![\"Keyboard](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Piano%20Technique%20Made%20Easy\/D%20Triad%20Inversions%20Diagram%20copy.png\")
<\/figure>\n\n\n\nIt’s helpful to think of inversions as shapes:<\/p>\n\n\n\n
- \n
- Root position has the 1-3-5 “claw” shape<\/li>\n\n\n\n
- 1st inversion uses your 2nd finger to play the middle note<\/li>\n\n\n\n
- 2nd inversion switches out that 2nd finger for your third finger; it’s also more “top-heavy”<\/li>\n<\/ol>\n\n\n\n
Be sure to download our triad worksheet<\/a> for an example in D Major and B Minor. Practicing triads in their broken and solid form with the help of sheet music can help you quickly memorize those fingerings and shapes.<\/p>\n\n\n\n
![\"D](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Piano%20Technique%20Made%20Easy\/D%20triad%20broken%20.png\")
<\/figure>\n\n\n\nAgain, find ways to engage your brain and avoid autopilot. Practice legato, practice staccato, and vary your dynamics.<\/p>\n\n\n\n
<\/div>\n\n\n\n\ud83d\udd25\ud83c\udfb9 HOT TIP!<\/i><\/b> For a cheatsheet of inversions in ALL keys, check out the free downloadable resources in our Ultimate Guide to Chord Inversions<\/a>.<\/span><\/p>\n\n\n\n
<\/div>\n\n\n\n4. Arpeggios<\/strong><\/h2>\n\n\n\n
Arpeggios sound absolutely beautiful<\/em> to practice. They also help you develop important skills and there are numerous ways to help make arpeggio practice fun.<\/p>\n\n\n\n
![\"\"\/](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Piano%20Technique%20Made%20Easy\/Bm%20Arpeggio.png\")
<\/figure>\n\n\n\nFor example, you can hold down the sustain pedal and create a beautiful, dreamy sound.<\/p>\n\n\n\n
You can also try playing an octave on your left hand as you practice your arpeggios on your right. This can sound very beautiful and dramatic!<\/p>\n\n\n\n
Here are more arpeggio practice ideas and free lessons to guide you:<\/p>\n\n\n\n
- \n
- Beautiful Arpeggio Practice for the Piano<\/a> – practice arpeggios with chord progressions, sus chords, and more<\/li>\n\n\n\n
- Sound Like a Pro With These Left Hand Arpeggio Patterns<\/a> \u2014 the left hand is often weaker for right-handed pianists; here are some fun ways to catch that hand up!<\/li>\n<\/ul>\n\n\n\n
5. Relative Minor Keys<\/strong><\/h2>\n\n\n\n
\n\nRemember: don’t just practice your major keys, practice your minor keys too!<\/p>\n\n\n\n
A helpful way to remember to practice both major and minor keys is to practice the relative minor of whichever major key you’re focused on that day.<\/p>\n\n\n\n
Relative minor keys have the same key signature (number of sharps and flats) as their relative major key.<\/p>\n\n\n\n
How you find a relative minor key is by counting three half-steps down from the major key. Or, you can just look at the Circle of Fifths!<\/p>\n<\/div>\n\n\n\n
\n![\"\"\/](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Piano%20Technique%20Made%20Easy\/circle%20of%20fifths%20-%20colored%20copy.png\")
<\/figure>\n<\/div>\n<\/div>\n\n\n\nFor example, three half-steps down from D is B, so B Minor is the relative minor key of D Major. B Minor uses the same key signature of D Major (F# and C#); the only difference is the scale starts and ends on B.<\/p>\n\n\n\n
![\"\"\/](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Piano%20Technique%20Made%20Easy\/D%20to%20Bm.png\")
B Minor is three half-steps down from D Major.<\/figcaption><\/figure>\n\n\n\n 6. Finger Patterns<\/strong><\/h2>\n\n\n\n
Most scale fingering looks like this:<\/p>\n\n\n\n
1 – 2 – 3 – tuck – 1 – 2 – 3 – 4 – tuck …etc.<\/strong><\/p>\n\n\n\n
But not all scales have the same fingering pattern. For example, B Flat Major is usually played like this:<\/p>\n\n\n\n
![\"\"\/](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote.s3.us-east-1.amazonaws.com\/blog\/2021\/Piano%20Technique%20Made%20Easy\/Bb%20Major%20Fingering.png\")
<\/figure>\n\n\n\nWhile looking up the traditional fingering for scales definitely helps, I encourage you to try out different fingerings and pick whichever feels best for you \ud83d\ude42<\/p>\n\n\n\n
These are just some ideas on how to make your technique practice more engaging. You don’t have to practice technique a full hour a day. Rather, pick a key or two to focus on and practice a few skills associated with that key, like scales, inversions, and arpeggios.<\/p>\n\n\n\n
If you really<\/em> want to step your technique up to the next level, check out our Piano Technique Made Easy<\/a> resource with Cassi Falk. It’ll show you EVERYTHING you need to go from good to great!<\/p>\n\n\n\n
Otherwise, happy practicing!<\/p>\n\n\n\n
![\"\"](\"https:\/\/www.musora.com\/musora-cdn\/image\/quality=85\/https:\/\/pianote-blog.s3.us-east-2.amazonaws.com\/wp-content\/uploads\/2021\/08\/24125029\/SeeItsNotSoHard_Blog-Photo-1024x576.jpg\")
<\/figure>\n\n\n\n<\/div>\n\n\n\n - Sound Like a Pro With These Left Hand Arpeggio Patterns<\/a> \u2014 the left hand is often weaker for right-handed pianists; here are some fun ways to catch that hand up!<\/li>\n<\/ul>\n\n\n\n
- Beautiful Arpeggio Practice for the Piano<\/a> – practice arpeggios with chord progressions, sus chords, and more<\/li>\n\n\n\n
- Use practice patterns. <\/strong>Ways to practice intentionally include: accenting certain notes, playing loud or soft, playing legato, playing staccato etc.<\/li>\n<\/ol>\n\n\n\n
- Be intentional.<\/strong> Don’t practice on autopilot. Pay attention to what your hands are doing.<\/li>\n\n\n\n
- See how many sharps A Major has.<\/strong> It has F#, C#, and G#.<\/li>\n\n\n\n
- Scales: D Major & B Minor<\/a><\/li>\n\n\n\n