{"id":49,"date":"2017-08-04T09:30:00","date_gmt":"2017-08-04T16:30:00","guid":{"rendered":""},"modified":"2023-01-09T14:07:51","modified_gmt":"2023-01-09T22:07:51","slug":"piano-music-theory-chords","status":"publish","type":"post","link":"https:\/\/www.pianote.com\/blog\/piano-music-theory-chords\/","title":{"rendered":"Music Theory For The Dropouts #5 &#8211; Learning Chords Is Easy"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Chords are one of the most important tools in any musician\u2019s pocket. &nbsp;Everyone\u2019s gotta know&nbsp;them. &nbsp;Luckily, they\u2019re very simple to learn!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">First, let\u2019s get down to the basics and define a chord. &nbsp;Chords are made up of 3 to 4 notes (sometimes more). &nbsp;In the language of music, you can think of them like you would a word in a sentence. &nbsp;When you see the word \u2018cat\u2019, you don\u2019t think of the individual letters, c-a-t. &nbsp;You think of the whole system of letters that forms the word and makes you think of a cat. &nbsp;That\u2019s basically the idea with chords. &nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To demonstrate this, we\u2019re going to make a C-major chord. &nbsp;This chord contains the notes C-E-G, all played together. &nbsp;If you look at this chord written out, it looks like three stacked notes on top of each other, kind of like a snowman consisting of three lined notes. &nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Untitled_file_1501698443.png\" alt=\"\"><\/span><\/p>\n<p>&nbsp;<span style=\"font-weight: 400;\">Just like there\u2019s a formula for creating a scale, there\u2019s also a formula for creating a major chord. &nbsp;The jump between C-E is called a major third, and the jump between C-G is called a perfect fifth. &nbsp;If you count up every key between notes C and E, you\u2019ll have 4 half steps. &nbsp;If you count up every key between notes C and G, you\u2019ll have 7 half steps. &nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Untitled_file_1501698803.png\" alt=\"\"><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Pay attention to not only how the chord <\/span><em><span style=\"font-weight: 400;\">looks <\/span><\/em><span style=\"font-weight: 400;\">on the page, but also how it <\/span><em><span style=\"font-weight: 400;\">sounds. &nbsp;<\/span><\/em><span style=\"font-weight: 400;\">This will really go a long way to grounding your understanding. &nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">So what about minor chords? &nbsp;The minor chords have a much sadder, more melancholy sound to it, and all that you must change to create a minor chord is drop the 3rd note down one half step. &nbsp;So the C minor chord will look quite similar as notation, except the E will become an Eb. &nbsp;Everything else is the exact same. &nbsp;If you want to be extra sure that you\u2019re hitting a minor 3rd instead of a major 3rd, all you have to do is is count up only 3 half steps. &nbsp;<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Untitled_file_1501698517.png\" alt=\"\" width=\"711\" height=\"125\"><\/p>\n<p>You can test all this theory out by taking these steps and starting on D instead of C. &nbsp;If you play D, count up 3 half steps, and then put a perfect 5th on top you\u2019ll make the D minor chord which consists of D, F and A. &nbsp;Wanna make that D minor chord into a D major chord? &nbsp;Again, all you have to do is bump up that F note one half step, creating F#. &nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/d2vyvo0tyx8ig5.cloudfront.net\/cms-uploaded\/Untitled_file_1501698584.png\" alt=\"\"><\/span><\/p>\n<p><span style=\"font-weight: 400;\">So now that you have that formula down, the next natural thing to do is test it out on some other notes. &nbsp;Go ahead and experiment with creating major and minor chords across the keyboard. &nbsp;Have some fun with it!<\/span><\/p>\n<p><strong>Ready for your next lesson? You can learn all about The Circle of Fifths in <a href=\"\/blog\/piano-music-theory-circle-of-fifths\" target=\"_blank\" rel=\"noopener noreferrer\">Lesson 6 of our series<\/a>!<\/strong><\/p>\n<p><strong>Missed any previous lessons?<\/strong><\/p>\n<p><strong>You can find <a href=\"\/blog\/piano-music-theory-major-minor\" target=\"_blank\" rel=\"noopener noreferrer\">Lesson 4 on major and minor scales here<\/a>.<\/strong><\/p>\n<p><strong>And <a href=\"\/blog\/piano-music-theory-symbols\" target=\"_blank\" rel=\"noopener noreferrer\">Lesson 3 on music symbols here<\/a>.<\/strong><\/p>\n<p><strong>And <a href=\"\/blog\/piano-music-theory-grand-staff\" target=\"_blank\" rel=\"noopener noreferrer\">Lesson 2 on the Grand Staff here<\/a>.<\/strong><\/p>\n<p><strong>And <a href=\"\/blog\/music-theory-rhythm\" target=\"_blank\" rel=\"noopener noreferrer\">Lesson 1 on rhythm here<\/a>.<\/strong><\/p>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe class=\"email-form-include-full\" src=\"https:\/\/www.pianote.com\/weekly-email\" frameborder=\"none\"><\/iframe>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Chords are one of the most important tools in any musician\u2019s pocket. &nbsp;Everyone\u2019s gotta know&nbsp;them. &nbsp;Luckily, they\u2019re very simple to learn! First, let\u2019s get down to the basics and define a chord. &nbsp;Chords are made up of 3 to 4 notes (sometimes more). &nbsp;In the language of music, you can think of them like you [&hellip;]<\/p>\n","protected":false},"author":47,"featured_media":673,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[507,510],"tags":[1069],"class_list":["post-49","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chord-theory","category-theory","tag-gsotp"],"_links":{"self":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":3,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/49\/revisions"}],"predecessor-version":[{"id":10344,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/posts\/49\/revisions\/10344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media\/673"}],"wp:attachment":[{"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/media?parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/categories?post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pianote.com\/blog\/wp-json\/wp\/v2\/tags?post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}