C-sharp major/minor and D-flat major/minor are essentially the same keys using the same pitches but can be named either way.
Click on the scale name for a diagram and explanation of each scale type:
C♯ and D♭ Major Scale | C♯ and D♭ Natural Minor Scale | C♯ and D♭ Harmonic Minor Scale | C♯ and D♭ Melodic Minor Scale | C♯ and D♭ Major Pentatonic Scale | C♯ and D♭ Minor Pentatonic Scale | C♯ and D♭ Major Blues Scale | C♯ and D♭ Minor Blues Scale
The C-sharp major scale contains seven notes and starts and ends on C♯. Major scales are arranged in a specific pattern of whole and half steps: W-W-H-W-W-W-H.
The D-flat major scale contains seven notes and starts and ends on D♭. Major scales are arranged in a specific pattern of whole and half steps: W-W-H-W-W-W-H.
The C-sharp natural minor scale follows the key signature of its relative major: E major. In natural minor scales, there are no additional accidentals.
The relative major key of C-sharp minor is E major. Therefore, C-sharp minor has four sharps (F♯, C♯, G♯, D♯).
The D-flat natural minor scale follows the key signature of its relative major: F♭ major. In natural minor scales, there are no additional accidentals.
The relative major key of D-flat minor is F-flat major. Therefore, D-flat minor has six flats and one double-flat: E♭, A♭, D♭, G♭, C♭, F♭, B♭♭.
TIP: To find the relative major key, count up three half-steps from the minor key’s root note.
Harmonic minor scales follow the key signature of the relative major key and raise the seventh note of the scale by one half-step.
The relative major key of C-sharp minor is E major and the seventh note of C-sharp minor is B. Therefore, C-sharp harmonic minor has four sharps (F♯, C♯, G♯, D♯) but B is raised to B♯.
Harmonic minor scales follow the key signature of the relative major key and raise the seventh note of the scale by one half-step.
The relative major key of D-flat minor is F-flat major and the seventh note of D-flat minor is C♭. Therefore, D-flat harmonic minor has six flats (E♭, A♭, D♭, G♭, C♭, F♭), one double flat (B♭♭), and the seventh note (C♭) is raised up a half-step to C.
In melodic minor scales, we raise the sixth and seventh notes up one half-step when ascending and lower them back down when descending. Melodic minor scales follow the key signature of the scale’s relative major.
The relative major key of C-sharp minor is E major. Therefore, C-sharp minor has four sharps (F♯, C♯, G♯, D♯) and A and B are the sixth and seventh notes. We raise A and B to A♯ and B♯ when ascending the melodic minor scale, and we lower them back to A and B when descending.
In melodic minor scales, we raise the sixth and seventh notes up one half-step when ascending and lower them back down when descending. Melodic minor scales follow the key signature of the scale’s relative major.
The relative major key of D-flat minor is F-flat major. Therefore, D-flat minor has six flats (E♭, A♭, D♭, G♭, C♭, F♭), one double flat (B♭♭) and B♭♭ and C♭ are the sixth and seventh notes. We raise B♭♭ and C♭ to B♭ and C when ascending the melodic minor scale, and we lower them back down to B♭♭ and C♭ when descending.
The major pentatonic is a five-note scale built on the following major scale degrees: 1, 2, 3, 5, 6.
The minor pentatonic scale is a five-note scale built on the following minor scale degrees: 1, 3, 4, 5, 7.
You can also think of the minor pentatonic as being built on the following major scale degrees: 1, ♭3, 4, 5, ♭7.
The major blues scale is built on the following major scale degrees: 1, 2, ♭3, 3, 5, 6.
The minor blues scale is built on the following minor scale degrees: 1, 3, 4, ♭5, 5, 7.
You can also think of the minor blues scale as being built on the following major scale degrees: 1, ♭3, 4, ♭5, 5, ♭7.
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